Olympus

Olympus


Olympus Zuiko 50-200mm f/2.8-3.5 Digital ED SWD Lens for Olympus Digital SLR Cameras
(Electronics) Olympus
Release date: 2008-01-15

Digital-dedicated design ensures high-definition performance with clear, crisp images from edge to edge
Maximizes the E-3's high-speed autofocus capability
Features Supersonic Wave Drive (SWD) technology inside to provide quiet, ultra-fast autofocus speed


Price: $1,439.99

Answers

I use a 50-200mm lens on my Olympus Evolt 500 camera. Do I need an adapter?

The lens is heavy and comes with a little support handle thing on the bottom. I don't want to do damage to my camera by using it without the adapter but it seems fine without it.


The Olympus 50-200mm is not that large of a lens to cause any problems with your Olympus Evolt 500 camera body's mount. If you were adapting some heavier 70-300mm lens from the film days, I'd be concerned.

As stated above, the 'adaptor' is actually a mounting place for a tripod or monopod. That moves the center of balance forward and puts less strain on your camera. Use it, when you can. Monopods are compact and can be carried easily.

By the way, it's a great lens and should give you many, many wonderful images. Enjoy!

http://www.photozone.de/8Reviews/lenses/ olympus_50200_2835/index.htm

Focusing: Olympus 50-200mm f/2.8-3.5


The sound of the Olympus 50-200mm f/2.8-3.5 digital Zuiko lens, focusing.

Olympus E400 digital SLR ?

Can I use the following lenses on my digital SLR - Olympus OM10 plus 2 standard 50 mm lenses plus Tamron 200mm, Hoya Macro Zoom 80-200 mm, Mirand Macro Zoom 28-85 mm, Kalimar Macro Zoom 35-200 mm, Vivitar x 2 converter, Vivitar 49 mm UV-Haze filter


Hiya, you should be able to via the OM convertor which costs £99.

You will lose automatic metering (you will need to use the stop down method) and there will be a conversion factor of 2, which means that your lenses all become more telephoto (so that your 50mm behave more like 100mm and so on)

You are also using lenses which were designed for film, which was easier to direct light onto than digital sensors, the upshot of this is that you are likely to get vingetting (a darkening of the corners as the light fails to bend onto the individual photosites) and colour fringing (where light of different wavelength hit the sensor at different points, again down to the light striking the sensor at an angle it wasn;t designed to recieve light from)

In short, I wouldn't bother, the advice of sticking to four thirds types lenses is good. Even expensive Olympus OM lenses would have similar problems.

Professional Black 72" Monopod / Unipod (Quick Release) For Olympus 50-200mm f/2.8-3.5 ED SWD
Bower Elite

Includes Carry Case, 10 Year Warranty
4 Sections - Aluminum Legs 1.4" Diameter (Rubber Feet)
Rapid Action Quick Lever Locks


  • Buy Cheap

  • Olympus Digital Zuiko 50-200mm f/2.8-3.5 ED SWD

    Introduction The Olympus Digital Zuiko 50-200mm f/2.8-3.5 ED SWD is a pro grade tele zoom lens for four-thirds DSLRs. The principal optical design has been inherited from its predecessor but Olympus improved the AF by using its new SWD ("Supersonic Wave Drive") which is supposed to deliver fast and silent AF operations similar to Canon's USM or Nikon Silent Wave AF.

    The build quality of the Zuiko is exceptional - it is based on a combination of high grade plastic and metal parts. Typical for designated Olympus "pro" lenses it features a sealing against dust and moisture. As you can observe in the product shot above the lens expends when zooming towards the tele end of the range. The size increases quite a bit and with an attached lens hood it's quite a sight. The lens features an internal focusing mechanism so the front element does not rotate. The mechanically linked focus ring operates smooth and precise....

    Read more...